Goju History
History of Karate

The first public demonstration of karate in Japan was in 1917 by Gichin Funakoshi, at the Butoku-den in Kyoto (Hassell 1984). This, and subsequent demonstrations, greatly impressed many Japanese, including the Crown-Prince Hirohito, who was very enthusiastic about the Okinawan art. In 1922, Dr. Jano Kino, founder of the Japanese art of Judo, invited Funakoshi to demonstrate at the famous Kadoka Dojo and to remain in Japan to teach karate. This sponsorship was instrumental in establishing a base for karate in Japan. As an Okinawan "peasant art," karate would have been scorned by the Japanese without the backing of so formidable a martial arts master (Maliszewski, 1992).
Today there are four main styles of karate-do in Japan: Goju-ryu, Shito-ryu, Shotokan, and Wado-ryu:
Goju-ryu developed out of Naha-te, its popularity primarily due to the success of Kanryo Higaonna (1853-1915). Higaonna opened a dojo in Naha using eight forms brought from China. His best student, Chojun Miyagi (1888-1953) later founded Goju-ryu, 'hard soft way' in 1930. In Goju-ryu much emphasis is placed on combining soft circular blocking techniques with quick strong counter attacks delivered in rapid succession.
Shito-ryu was founded by Kenwa Mauna (1889-1952) in 1928 and was influenced directly by both Naha-te and Sheri-te. The name Shinto is constructively derived from the combination of the Japanese characters of Mauna’s teachers' names - Ankh Its and Kanryo Higaonna. Shito-ryu schools use a large number of Kata, about fifty, and is characterized by an emphasis on power in the execution of techniques.
Shotokan was founded by Gichin Funakoshi (1868-1957) in Tokyo in 1938. Funakoshi is
considered to be the founder of modern karate. Born in Okinawa, he began to study karate with Yasutsune Azato, one of Okinawa's greatest experts in the art. In 1921 Funakoshi first introduced Karate to Tokyo. In 1936, at nearly 70 years of age, he opened his own training hall. The dojo was called Shotokan after the pen name used by Funakoshi to sign poems written in his youth. Shotokan Karate is characterized by powerful linear techniques and deep strong stances.
Wado-ryu, 'way of harmony', founded in 1939 is a system of karate developed from jujitsu and karate by Hienori Otsuka as taught by one of his instructors, Gichin Funakoshi. This style of karate combines basic movements of jujitsu with techniques of evasion, putting a strong emphasis on softness and the way of harmony or spiritual discipline.
A Brief History of Goju-Ryu
The art of Naha-te, founded by Kanryo Higaonna Sensei, forms the basis of Goju Ryu Karate. Kanryo Higaonna Sensei was born in 1853 and was part of the lower gentry. He longed to study in
The actual founder of the Goju Ryu karate was Miyagi Chojun Sensei, a personal disciple of Kanryo Higaonna Sensei. At the age of 14, Miyagi Chojun Sensei met Kanryo higaonna Sensei and together they devoted their lives to the improvement and advancement of the art of Naha-te. They spent thirteen years together until Kanryo Higaonna Sensei passed away in 1916. Miyagi Chojun Sensei?s family was part of the gentry. They owned two trading ships that imported medicine from
In addition to his personal training and development of Naha-te, Miyagi Chojun Sensei spent a great deal of his time promoting the art. In 1921, he performed a demonstration of Naha-te in
As its exposure increased, many became interested in Miyagi Chojun Sensei?s art. One of Miyagi Chojun Sense?s senior disciples, Shinzato Sensei, gave a performance of kata at a Japanese martial arts tournament. Afterwards, a master asked the name of his school. Shinzato Sensei had no answer for him, returned to
During the 1930?s, Miyagi Chojun Sensei actively developed and promoted karate-do in
A tragic period ensued in the 1940?s as a result of World War II and Miyagi Chojun Sensei stopped teaching. During this period he lost a son and a senior student while enduring the devastations of war and poverty. After the war, Okinawan karate spread rapidly throughout mainland
From the beginning, Miyagi Chujun Sensei recognized karate as a valuable social treasure of
Miyagi Chojun Sensei chose the name ?Goju Ryu? from the ?Eight Precepts? of traditional Chinese Kempo found in the document ?Bubishi? and are as follows:
1.The mind is one with heaven and earth.
2.The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
3.The way of inhaling and exhaling is hardness and softness.
4.Act in accordance with time and change.
5.Techniques will occur in the absence of conscious thought.
6.The feet must advance and retreat, separate and meet.
7.The eyes do not miss even the slightest change.
8.The ears listen well in all directions.
These eight precepts are the essence of the martial arts and are the elements one strives to achieve in training Goju Ryu Karate-do. Such training shall serve to lead humankind to rediscover our natural instincts and capabilities.
Great Reading
| TITLE | AUTHOR | PUBLISHER | COMMENTS | SUPPLIER |
| Asian Fighting Arts<BR | Donn F. Draeger; Robert W. Smith | Kodansha International Ltd. | | |
| Okinawan Karate | Mark Bishop | A & C Black, | His criticism on 'Sanchin' kata not in perspective | |
| Karate - The art of Empty Hand Fighting | Hidetaka Nishiyama, Richard C Brown | Charles E Tuttle Company, 1960 | | |
| Karate Do -My Way of Life | Gichin Funakoshi | Kodansha International, | | |
| The Bible of Karate, Bubishi | Patrick McCartney | Charles E Tuttle Company, 1995 | A translation of the famous writing | |
| The History of Karate | Morio Higaonna | Dragon Books,1996 | | |
| The Way of Karate | George E Mattson | Charles E Tuttle Company,1963 | | |
| Traditional Karate Do, Edition 1 | Morio Higaonna | Minato Research and Publishing, 1985 | | |
| Traditional Karate Do, Edition 2 | Morio Higaonna | Minato Research and Publishing, 1986 | | |
| Traditional Karate Do, Edition 3 | Morio Higaonna | Minato Research and Publishing, 1989 | | |
| Traditional Karate Do, Edition 4 | Morio Higaonna | Minato Research and Publishing, 1990 | | |
| The Karate Dojo | Peter Urban | Charles E Tuttle Company, 1967 | Some interesting perspective on Etiquette and Traditions | |
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